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Untitled (landing page image). Cyanotype toned with acorn tannins, India ink. November 2025. 8x10”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (Weislander archives composite image). Cyanotype toned with acorn tannins. November 2025. 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (Wieslander archives composite image). Cyanotype toned with redwood tannins, charcoal pencil. November 2025. 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (redwood basal regrowth). Cyanotype toned with redwood tannins, charcoal pencil, india ink. November 2025. 8x10”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (living and dead redwood stump). Cyanotype toned with acorn tannins, charcoal pencil, india ink. November 2025. 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (redwood regrowth). Cyanotype toned with redwood tannins, India ink. November 2025 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (ghost of a redwood tree). Cyanotype toned with acorn tannins, charcoal pencil, India ink. November 2025. 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (epicormic redwood regrowth). Cyanotype toned with acorn tannins. November 2025, 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (redwood bark). Cyanotype toned with acorn tannins, ink. November 2025. 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (open knobcone pine cone). Cyanotype toned with redwood bark, ink. November 2025. 8x10”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (closed knobcone pine cone). Cyanotype toned with acorn tannins, ink. November 2025. 8x10”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (knobcone pine). Cyanotype toned with acorn tannins. November 2025, 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (anonymized house 1). Cyanotype toned with acorn tannins, ink. November 2025, 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (anonymized house 2). Cyanotype toned with acorn tannins, ink. November 2025, 10x8”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (stump memorial). India ink. November 2025, 6x6”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (a place in the grass). India ink. November 2025, 6x6”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (flagstones). India ink. November 2025, 6x6”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled (orchard historical photo). Cyanotype toned with acorn tannins. November 2025, 8x10”

Made in collaboration with Andrew Mathews and Katie Gougelet for the CZU Fire Storymapping Project.

Untitled. Cyanotype toned with moringa, river toning reversed with citric acid. Photo by Alyssa Paredes. November 2024. 8” x 10”

Test print for spring 2025 residency at the UCSC Contemporary Print Media Research Center project, The See-Through Plantation.

Installation view of The See-Through Plantation. April 2025.

UCSC Contemporary Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

The See-Through Plantation. Cyanotype toned with banana peel, silkscreen. April 2025.

UCSC Contemporary Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

Governed by the Wind. Four-layer color separation silkscreen. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

Gemima’s Plot. Banana stem paper, cyanotypes toned with moringa, silkscreen. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

Close-up of Gemima’s Plot. Banana stem paper, cyanotypes toned with moringa, silkscreen. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

Community-produced countermaps, historical maps installed as part of The See-Through Plantation exhibit. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

The Packinghouse. Cyanotypes toned with banana peels. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

The Packinghouse. Cyanotypes toned with banana peel, moringa, and citric acid toning reverse. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

Upstream/Downsstream. Cyanotypes toned with moringa, citric acid toning reverse, silkscreen with interference ink, banana fiber fabric. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

Upstream/Downsstream.. Cyanotypes toned with moringa, citric acid toning reverse, silkscreen with interference ink, banana fiber fabric. April 2025.

UCSC Contemporary
Print Media Research Center residency project in collaboration with Alyssa Paredes (University of Michigan Department of Anthropology).

State proof of diptych, copper plate etching with silkscreen photo transfer. Dimensions variable. Images documenting the 2024 Transhumance Festival in Petaluma, CA. May 2024.

Cyanotype toned with acorn, taken at the UC Davis Sheep Barn. April 2025. 10” x 10”

Forage Analysis. Dimensions variable. Plywood, acrylic paint, goat and sheep leather, waxed canvas thread, risograph prints. Mobile installation inviting viewers to explore the plants sheep and goats are capable of eating for wildfire prevention. April 2024.

Forage Analysis. Dimensions variable. Plywood, acrylic paint, goat and sheep leather, waxed canvas thread, risograph prints. Mobile installation inviting viewers to explore the plants sheep and goats are capable of eating for wildfire prevention. May 2024.

Close up of Forage Analysis. The portal (modeled after the fistulated cow found at many veterinary schools) opens into the goat rumen to reveal prints of plants commonly targeted for grazing removal to prevent wildfire in California. April 2024.

Sheepmowing HEALS: grazing for health, engagement, aesthetics, labor, and sustainability. Comic on display in the 2024 UCSC Environmental Art & Social Practice MFA show SEARCH PARTY. April 2024. 10.25” x 6.63”, 36 pages.